Tascam HD-P2 Recorder $999
TASCAM HD-P2 Portable High-Definition Stereo Audio Recorder
records at up to 192kHz/24-bit resolution to Compact Flash media, and its audio
files are instantly available to DAWs through the built-in high-speed FireWire
computer connection. Unlike consumer MP3 sketchpads, the professional HD-P2
incorporates high-end features like a SMPTE timecode input for synchronization
to external devices while in record or playback. Note that the HD-P2
does not have an internal timecode generator; it must be linked to an external
code source. The user interface is designed for fast and intuitive use under
stressful one-take-only situations, and its large, angled LCD is perfect for any
application from over-the-shoulder location recording to concert recording and
commercial use.
High-definition Recording, To Go
The HD-P2 records in stereo from 44.1kHz to 192kHz, at 16- or 24-bit,
to affordable Compact Flash media. Not only is Compact Flash absolutely silent,
so no transport noise will show up on your recording, but the recorded audio is
written directly as Broadcast WAVE files for immediate use in digital audio
workstations. The unit even includes a FireWire jack for the fastest possible
transfer of files to your PC or Mac computer.
The professional design of the HD-P2 extends to convenient details that pro
users will appreciate. The Retake button allows the user to delete the last
recording and set up to re-record with a single button press. As audio is
recorded, the file headers are continually re-saved to protect your recording
against accidental data loss. Files can be named from the front panel interface
or using a PS/2 keyboard, which can also be used to control transport and setup
features.
On the input side, the unit has a pair of XLR mic inputs with phantom power
and analog peak limiting to curb distortion during unpredictable live events.
The input level control allows the user to change the level without taking their
eyes off the action. The HD-P2 also features unbalanced RCA ins and outs as well
as S/PDIF digital I/O. Monitoring is available through a headphone out - again,
with its own ergonomic level control - using a built-in speaker. A built-in
microphone is also provided for interviews and educational use.
Built-in Synchronization - Because Being
On Time Shouldn't Have To Be An Option
TASCAM's HD-P2 comes standard with a full-featured timecode input.
Incoming LTC is connected to the locking XLR input for timestamping your
Broascast WAVE files from a central clock. Not only does the recorder timestamp
your recorded audio with sample accuracy, the HD-P2 chases incoming timecode
during playback for review or loading into an editor. A video clock input allows
frame edge resolve to a central blackburst source or use as a lock-and-release
timecode slave. There's also a freewheel setting for use with unpredictable
timecode sources. Note: during live record, the HD-P2 needs to be fed
(or jam sync'd at the beginning of the take) from an external timecode source or
generator.
For maximum compatibility with the post production
world, the HD-P2 supports pull-up and pull-down sample rates, even at
high-resolution settings. The video clock input accepts tri-level sync for
high-definition television production.
On Location, It's More Welcome Than The Craft Service Table
The shoulder-slung design of the HD-P2 with its included locking strap
makes it a natural choice for film production recording. The Compact Flash media
is safely recessed and latched to prevent accidental ejection, and audio can be
recorded locked to timecode and video reference for absolute lock. It runs for
approximately 5.5 hours on readily-available AA alkaline batteries, and weighs
less than two pounds with batteries installed. At the end of the day, recordings
can be instantly transferred to an editor through the FireWire jack or a CF
reader for use in a non-linear editor to sync dailies or to conform dialog
during post.
Precise recording quality for capturing a live performance
The HD-P2's 192kHz/24-bit recording resolution is so precise, you can
almost hear what brand of cork was used for the conductor's baton. Its Compact
Flash transport doesn't make any noise, so you don't need to worry about machine
noise on the recording. The high-quality mic preamps provide phantom power to
handle sensitive condenser microphones, and the analog limiter protects the
recording against sudden transient distortion.
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We are authorities in production sound recording
for video and filmmaking. We also have lots of accessories for videography; and
are dealers for Casablanca, AVIO, and Renommee
non-linear video editors; as well as turnkey AVID & AVID Liquid (aka
Pinnacle) editing solutions.
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